It’s undeniable that theatre set designs, which are the backdrops for the sensational acting, singing and dancing that takes place during a show, can be works of art. Indeed, some can even take one’s breath away. Have you ever encountered a theatre set design that blew your mind and made your heart skip a beat?Details
It may have been Degas’ love for modern realism and classical beauty that initially drew him to ballet as a major source of artistic inspiration. However, his affinity for and engrossment with ballet itself was what anchored his interest in the subject for the rest of his career.Details
Art is saving the lives of animals. Have you ever heard of elephant art? Elephant art never involves their ivory tusks. Throughout the world elephants are being poached for their tusks. Will art save the elephants? Embrace the art that comes from elephants and share the art elephants create.Details
His art was noticed by all. In that time, and throughout his career, Benjamin West influenced many artists in Britain and America. As he painted, he taught others the intricacies of his style and elevated the practice of painting historical art. Looking beyond his influence, one truth remained constant: Benjamin West was Britain’s “American Raphael.” To this day his art is showcased and his talent is noticed.Details
As with many Renaissance artists, Gossaert concentrated on biblical themes. Specifically, he painted scenes that depicted Adam and Eve, The Virgin and Child and the Crucifixion. He also breathed life into mythological themes and painted many of his characters nude. In doing this, it appears Gossaert approached painting historical and mythological figures with the fine detail and acuity of a sculptor.Details
Valencia was center stage for world-renowned artist Joaquín Sorolla. Though the Spanish painter’s career afforded him a life of worldwide travel and notoriety, the passion that fueled his art was his homeland. Through his portrait art and landscape paintings, he explored people, locations and historical scenes familiar to Spaniards and captivating to foreigners.
Sorolla’s career, like his personal life, seemed very fulfilling. By the time he reached 30 years of age, he had already received national recognition for his artwork and was approaching an era of worldwide fame. In the following years, his work was exhibited in art capitals like Madrid, Paris, Venice, Munich, Berlin and Chicago. When he was only 40-years-old, he was donning major awards and became known as one of the “western world’s greatest living artists.”
His list of accomplishments is great but, when realizing he started life as an orphan, born in 1863, the heights of his fame seem that much greater. Joaquín Sorolla was only two years old when, it is believed, his parents passed away from cholera. At that time, he and his sister went into the care of his maternal aunt and uncle.Details
As Delaunay blazed a trail with his knack for colorful cubism, he was mimicked and challenged by his contemporaries. He and Jean Metzinger often painted together and hosted joint exhibits. In 1907, while in his early 20’s, Delaunay and Metzinger shared an exhibit where they were dubbed as “divisonists.” Divisionism is another word for pointillism. Calling them divisionists was the best way critics could describe their foreign use of “mosaic-like ‘cubes’ to construct small but highly symbolic compositions.”
With such recognition, a new branch of Neoimpressionism was born. The very style Delaunay and Metzinger were thought to originate went onto appear in works of Piet Mondrain, The Futurists and Gino Serverini.
What Thomas Doughty did not know was that his art would change American art forever. At this time, Americans were beginning to show more interest in landscape painting than portrait art. Doughty was known as a highly skilled landscapist. His art often reflected his perception of gentle rivers and quite mountains.
Some of his work was copied from European landscapes he saw in collections by Robert Gilmor, Jr. Copying the landscape work of other artists was how Doughty taught himself to paint different types of landscapes, which he would set behind familiar scenes found in blossoming American towns. Often times, the artist would travel to take sketch notes that would allow him to breathe realism into his whimsical work.Details
Emil Carlsen created natural flowing designs that were complimented by his use of atmospheric light. He also had a keen sense of how to apply paint to canvases so that the forms he painted became dramatic and involved. In addition, Carlsen had an eye for detail which shown in his technical style and decorative flair.
Even though he was a celebrated artist, Carlsen had trouble supporting himself with earnings from his artwork alone. Throughout the years he taught at many design schools in various parts of America and dedicated himself to the development of aspiring impressionist artists. While this was in line with Carlsen’s passion, it was far from the career he envisioned for himself.
The red barn was not intentional, at first. But once farmers started to see the effects of this linseed oil mixture, they seemed to like how the red barn contrasted the traditional white farmhouse. By the time paint made its way onto the scene in the middle to late 1800s, red was a popular shade. It was also the most expensive but farmers didn’t seem to care. Red had become the mark of the barn and many were willing to pay for it. It wasn’t until whitewash became cheaper than red paint that white barns began to appear.Details
Symbolist art was birthed from the expression of emotion and ideas. Emerging at the time of the French Literary movement, symbolist paintings became popular in the late 1800s. Paving a path for this adventurous style was Gustave Moreau.
Moreau was known for portraying historic, religious, mythological, legendary and fanciful characters with techniques that combine exotic romanticism, symbolism and imagination. His many paintings shimmer with gem-like qualities, which he used to cast visual scenes that could only be described as other worldly.Details
The spectacle begins at the entrance to the exhibit area, where knitted strands decorate the garden lamps and multicolored pom-poms hang from an aged tree like jewel-bright fruit. Once inside, the visitor is treated to even more dramatic visual treasures: a royal red Chinese vase presides over other scarlet-hued creations, a deep blue patchwork rug replicates Turkish tile flooring, and crisp green vegetable patterns (from artichokes through onions to cabbages and leeks) are woven into cushions with startling detail.
The author of more than thirty books, Kaffe Fassett has hosted TV and radio program for the BBC and Channel 4 in the UK, where he currently resides. In 1988 his design and color work was the subject of a one-man show at London’s prestigious Victoria and Albert Museum, marking the first time a living fabric artist had a dedicated show there. The same show went on to tour nine countries. He has designed stage props and costumes for the Royal Shakespeare Company and exhibited his quilts, knitting, and needlepoint at the Modemuseum Hasselt, Belgium in 2007. Not surprisingly, his autobiography is titled ‘Dreaming in Color.’Details